Colombia’s Pacific coast. Eryen Korath chose the marimba because she liked its sound. The life she built around it opens a larger story about pleasure, permission, and who gets heard.
Kinshasa, Democratic Republic of the Congo. Behind instruments made from discarded objects are musicians negotiating embarrassment, ambition, breakage, and the pleasure of finding a sound of their own.
A radio signal, a circle of friends, and a willingness to hear connections: the cultural conditions behind Detroit techno reach beyond the familiar story of machines.
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